On a recent trip to the Wellcome Collection I took the opportunity to visit the excellent permanent collections which comprise exhibitions and artwork themed around modern medicine, as well as the literal cabinet of curiosity that is Henry Wellcome’s personal collection of artefacts and medicinal aperatus.  

I was fascinated by an installation on the discovery of DNA, and particularly the way in which the genetic code was recorded, as the collection houses a paper copy of the complete DNA code for one person.  High shelves hold almost 100 large binders, each filled with double-sided paper, and every sheet is completely filled with the strings of letters that make up the genetic code.  This exhibit is called ‘Library of the Genome’ and contains 3 billion characters which would take around 56 years to recite aloud.  

I was struck by the complexity of the DNA code and was amazed that such a huge amount of it corresponded to just one person.  But the most interesting aspect of the exhibit for me was the possibility that a human being could be archived like any other artefact in the Wellcome Collection.  Can a person be recorded and stored through their genetic code?  There is certainly something evocative about seeing DNA written down on paper, and rather than being reductive, I found the exhibit profound and elegiac.


Stephanie Fuller
 
 
Last week film-maker Jenny Coan came to speak to the Autopsies Research Group about her work with film archives and found footage.

Her short films made for Bill Ryder-Jones and his recent album release party have taken on a life of their own and reached the attention of the New York Times.

Each film brings together footage from archival material to create an evocative interpretation of a song from the Ryder-Jones album 'If...', his soundtrack to the Italo Calvino novel If on a Winter's Night a Traveler.

Coan purposefully did not look to the novel for inspiration; rather, she took her cues from the sounds, rhythms, and tempos of each Ryder-Jones track and produced her own 'orchestral' arrangement of moving images.

But Coan's films are more than visual accompaniments to the musical material and move the viewer through a series of witty and wonderful storylines that collapse and come together with Coan's masterful direction. Take a look and have a listen here.

MCM